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An Australian dining landmark rises from the ashes: the Stokehouse is back ready to please the crowds for at least another generation to come, writes Michael Harden.
French bistro classics are suddenly hotter on the Queensland dining scene than a bubbling pot-au-feu.
Take our quiz to check your knowledge.
Pierre Khodja’s Camus opens this week, bringing the vibrant flavours of his Algerian homeland to Northcote’s High Street.
What better way to ring in the Year of the Rooster than a culinary spectacular?
Here's the story behind it.
Destroyed by fire in 2014, the Stokehouse has returned as an elegant foreshore precinct. Michael Harden talks to owner Frank van Haandel about the rebirth of a landmark.
Millbrook Winery chef Guy Jeffreys walks us through his approach to cooking and what's on the menu this month and next.
Whether it's mixed through black rice pudding with caramelised bananas, shredded on top of mango trifle or toasted and served with coconut jelly, coconut adds tropical touch and fragrance to summer desserts.
Spend less time cooking and more time relaxing at your next barbecue - these char-grilled meats and vegetables are low on labour but deliver big on juicy and smoky flavours.
Attica’s chef isn’t happiest when eating soils or smears on his days off, it’s souvlaki. We follow him to his favourite spot.
We approach an expert on the ground in Turkey for the inside word on the Salt Bae phenomenon. Just how salty is that steak?
Melbourne, it's finally your turn for a taste of David Thompson's uncompromising Thai cooking.
There’s never a dull moment at ultra-glam, slightly mad Pascale, QT Melbourne’s dazzling flagship diner, writes Michael Harden.
After a year of big name openings, a new Alexandria eatery arrives as a likable - and possibly lovable - local.
Whether caramelised in a tarte Tartin, paired with slow-roasted pork on top of pizza or tossed through salads, this sweet stone fruit is an excellent addition to summer cooking.
Subtle prints, organic forms and colour are all part of the
Chela Edmunds began her career in textile design, working for labels such as Donna Karan and Vera Wang in New York. Now back in Australia and living by the beach in Victoria's Torquay, Edmunds has spent the last three years channelling her training in print design and her love of colour into Takeawei - a summery line of high-fired mugs, cups and platters awash with sunset tones and patterns.
How has your training in textile design influenced the Takeawei aesthetic?
Unlike with textiles I don't have to think about how wearable a pattern is so this offers some freedom in design. I'm inspired by textile techniques like tie-dye and batik. I try to leave something white and end up covering everything in colour. I can't help it.
Is the glazing process an important part of your work?
I use a combination of slips and glazes to give different effects of rough and smooth. It reminds me of a textiles term for a woven fabric, seersucker, which means "milk and sugar". One without the other wouldn't have the same feel.
What can we expect next for Takeawei?
In June I opened Guild of Objects with fellow potters Brooke Thorn and Tao Oudomvilay. It's a retail, exhibition and workshop space for Australian designers and makers. I'm looking forward to expanding our workshops in clay so that others can learn about the process.
Takeawei ceramics, from $45, guildofobjects.com
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