We're championing fresh food that packs a flavour punch, from salads and vegetable-packed bowls to grains and light desserts.
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We asked our favourite confectioners and cafe owners from around the country for their hottest tips.
Sydneysiders revive a landmark restaurant in country New South Wales.
You’ve got another chance at last winter’s sell-out drop from Four Pillars.
A bar for art’s sake pops up at Semi Permanent.
Attica chef Ben Shewry has been thinking about your buttocks, and wants to introduce them to an Australian design classic.
Charleston, the antebellum jewel of the Carolina coast, has embraced its Lowcountry roots, writes Shane Mitchell, and now shines anew.
Our June issue is out now, and it's all about breakfast. Pat Nourse kicks things off with his editor's letter.
Andrew McConnell’s Cantonese-inspired restaurant will become a classroom for a night during the Emerging Writers’ Festival.
There's nothing new about Nordic interiors - blond timbers, concrete surfaces, warm, mid-century charm without the twee - and thank heavens for that. It's a style that augments the beauty of everything around it, in this case, gorgeous Hobart harbour, which makes up one whole wall. What is new here, however, is the food - by veterans of Garagistes, which once dazzled diners down the road, Vue de Monde in Melbourne and Gordon Ramsay worldwide. There's a strong Asian bent, but with Tasmanian ingredients. In fact, the kitchen's love of the local verges on obsessive - coconut milk in an aromatic fish curry is replaced with Tasmanian-grown fig leaf simmered in cream to mimic the flavour. Other standouts include a gutsy red-braised lamb with gai lan and chewy cassia spaetzle, pigs' ears zingy with Sichuan pepper and a fresh, springy berry dessert. While the food is sourced locally, the generous wine list spans the planet.
Kick off winter with a week of cheese tasting.
Farro can be used in almost any dish, from a robust salad to accompany hearty beer-glazed beef short ribs to a new take on risotto with mushrooms, leek and parmesan. Here are 14 ways with this versatile grain.
A far cry from Tuscany’s familiar gently rolling hills, Monte Argentario’s appealing mix of mountain, ocean, island and lagoon makes it one of Italy’s hidden treasures, writes Emiko Davies.
Prepare to enter a picture of the countryside framed by note-perfect Australiana but painted in bold, elegant and unsentimental strokes. Over 10 or more courses, Dan Hunter celebrates his region with dishes that are formally daring (Crunchy prawn heads! Creamy oyster soft-serve! Sea urchin and chicory bread pudding!), yet rich in flavour and substance. The menu could benefit from an edit, but the plates are tightly composed - and what could you cut? Certainly not the limpid broth bathing fronds of abalone and calamari, nor the clever arrangement of lobster played off against charred waxy fingerlings under a swatch of milk skin. The adventure is significantly the richer for the cool gloss of the dining room, some of the most engaging service in the nation and wine pairings that roam with an easy-going confidence. Maturing and relaxing without surrendering a drop of its ambition, Brae is more compelling than ever.
Here we've scorched apricots on the grill and served them with torn jamon, shaved Manchego and peppery rocket leaves. Think of it as a twist on the good old melon-prosciutto routine. The mixture would also be great served on charred sourdough.
Like its oft-disputed name, the Former Yugoslav Republic of Macedonia defies simple definition but its rich diversity extends from the dinner table to the welcoming locals, writes Richard Cooke.
This year's finalists across 11 different categories include established and new hotels, all with particular areas of excellence. Stay tuned to find out which hotels will take the top spots when they're announced at a ceremony at QT Melbourne on Wednesday 24 May, and published in our 2017 Australian Hotel Guide, on sale Thursday 25 May.
A French cheesemaker broke the mould with his new method of
recreating the classics, writes Will Studd.
Camembert de Normandie and its big cousin, Brie de Meaux, are symbolic benchmarks of traditional French cheesemaking skill. Legally protected under the European appellation system, and produced only from raw milk in strictly designated regions, their creamy texture and fungal flavours set the standard by which all similar cheeses are judged. But despite their old-school reputation, these classics are gradually losing market share to a variety of new surface mould-ripened cheeses in modern France.
The main problem with traditional brie and camembert is that they're unpredictable, and require skill and patience to mature. There is a period of just a few weeks when the inner chalky curds are fully broken down and the cheese is at its optimum texture and flavour. Cut too early and these cheeses have a chalky centre; too late and the mould has curled up and died, and the interior becomes very strong. It's all way too complicated, even for consumers in France. The French have traditionally left the job of ripening cheese to the local affineur, but they can now choose from a large range of pre-ripened "stabilised" cheese available in the dairy section of the local supermarket.
Modern stabilised cheese also dominates the market for surface mould-ripened cheese in Australia. These are made using a heat-sensitive starter that enables dairies to guarantee a soft, bulging texture with no acidic chalk line from the day the cheese leaves the dairy. Dressed in a velvety white mould coat, these cheeses are similar to those found in tins, and will hold their shape and texture for months.
The surface mould plays only a small role in ripening the interior and, to boost the mild and often bland flavour, producers may add extra cream - hence the use of the term "double brie".
The colour and aroma of the mould on traditional surface-ripened cheese is a good indicator of how the cheese will ripen. Wrinkles are good when it comes to traditional cheese, as is a pungent cowshed scent of wet straw and brassica. In contrast, modern stabilised cheeses have a pure white, fluffy mould and an aroma of wet paper and mushroom, with a tendency to become strongly ammoniacal with age.
One of the most intriguing and successful methods of producing
modern surface-ripened cheese was invented in the 1970s by
Jean-Claude Guilloteau, in the Dauphiné region of south-eastern
France. I had the pleasure of visiting the region and filming an
interview with this industry legend for the upcoming season of
Cheese Slices. Now in his seventies,
Monsieur Guilloteau is a passionate, deeply knowledgeable and
determined cheesemaker whose career has been dedicated to the
development of a technique that produces surface-ripened cheese
with a unique texture and flavour.
The result of his innovation, and the secret to his success, is the use of ultrafiltration. This process involves passing whole milk under pressure through a system of micro-membranes that separate the large fat and protein molecules into a concentrated form of liquid cheese, while the remaining ultrafiltrate of water, lactose and soluble mineral and vitamin molecules passes through.
The concentrate is coagulated with a small amount of rennet before it's drained and ripened. The use of less rennet and starter ensures a predictable and consistent silky texture. It also extends the shelf life of the cheese. As a result, Guilloteau's Pavé d'Affinois is found all over France and, along with its big cousin the Fromager d'Affinois, has become one of the most popular French surface mould-ripened cheeses in Australia and the United States.
Ironically, what makes this cheese particularly clever is the selective use of traditional moulds similar to those found on Brie de Meaux and Camembert de Normandie. These slowly ripen the interior of the cheese until it develops a rich and unctuous texture with just a hint of the cow. It's certainly not old school, but today's consumers love it.
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