After fresh ideas for meals that are healthy but still pack a flavour punch? We've got salads and vegetable-packed bowls to soups and light desserts.
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The maitre d' is your first introduction to a restaurant - they do as much to create a sense of ambience as lighting, tableware and music. And these three professionals are top of the class.
Three sommeliers, three different personalities, all first-rate guides to the lists at their establishments. We present our 2018 finalists: Caitlyn Rees, Gaving Cremming and Patrick White.
From Mansfield to Beechworth, Rutherglen to the King Valley, we've rounded up the places that should be on your radar in the High Country.
There’s plenty of potential in the depths of your crisper; you just have to be creative.
This year's finalists are pursuing vastly different wine programs, but all are at the top of their game. We present Hardy's Verandah Restaurant, Cirrus Dining and Kisume.
Ambling through a forgotten corner of the country offers a charming change of pace from Lisbon and the Algarve.
Campari with your cornflakes? Whether booze is okay at breakfast depends on time and place, writes Max Allen.
Kicking off in February 2018, six exclusive tours will take Gourmet Traveller readers far and wide, delivering exceptional service, fine dining and, of course, a first-class travel experience.
The chef at Bistrode CBD and The Fish Shop passed away today, 17 July 2017.
The restaurant and hotel scene on Australia's favourite holiday island has never been more exciting and Australian chefs, owners and restaurateurs are leading the charge, writes Samantha Coomber.
It's the most popular coffee in Australia, but what is a flat white exactly? Samantha Teague investigates.
Just what you need on a cold winter's night; a bowl of luscious pudding. Make sure to leave room for seconds.
The cauliflower is roasted until it starts to caramelise, which adds extra depth of flavour to this winning salad. Serve it warm or at room temperature.
These fluted French doughnuts are made from a choux-like pastry dough, giving them a light, airy texture. Crullers are best eaten the same day they're made.
Chocolate and kirsch are the stars of this knockout classic German dessert gâteau, with a light, airy sponge the key to success. Catherine Adams shows us how it's done.
Note To make chocolate shavings, melt 250gm finely chopped dark chocolate (53% cocoa solids) in a bowl over a saucepan of simmering water, thinly spread with a palette knife on a marble slab or inverted heavy tray and set aside until firm and set (1 hour). Scrape chocolate away from you with a large chef's knife to form shavings and set aside. If your cake ring is shallower than 6cm, you can line the sides of the ring with acetate sheet up to 7cm deep. If you don't own a cake ring, use a springform tin. Acetate sheets, available from art supply shops, make it easier to remove the cake once it's set.
I first played around with Black Forest cake when I worked at
Rockpool Bar & Grill after seeing Heston Blumenthal make his
Black Forest gâteau in the kitchen. The cake's 10 layers had dark
and white chocolate mousses, kirsch ganache, apricot pâte de fruit
and more. Then I came across a version by Ramon Morató, the great
Spanish pastry chef, which was white, not black. I thought it was
really elegant and beautiful, so we put individual "White Forest"
cakes on the menu.
The version I've done here has the more traditional light and dark layers, with a light and airy dark-chocolate sponge and a white kirsch mousse - a more classic gâteau and easy to accomplish at home.
Black Forest cake, or Schwarzwälder Kirschtorte, includes
kirsch, but you could do a version with Grand Marnier and orange
rind (though perhaps not under the same name).
The sponge I like to use is very versatile - it can be baked thin to make a Swiss roll, or thicker to use, as I have here, for a layer cake. You want the sponge to be light but sturdy enough to hold the layers - using cornflour instead of plain flour helps with lightness, and whisking the whites separately and folding them in increases aeration.
I weigh all pastry ingredients. The ratio of yolks to whites can vary from egg to egg, for example, so giving a weight rather than a number means a more consistent result. Then whisk two-thirds of the icing sugar with the yolks on medium speed so by the time the whites are whisked, the yolk mixture will be ready. You want the eggwhites between soft and firm peaks; you won't get a light cake if they're too firm. Once the eggs are whisked, you need to fold them together. Fold a third of the eggwhites into the yolks to lighten the mixture; you don't need to be very delicate with this - it's just to loosen up the yolks before folding in the remaining eggwhite. You only need to fold the eggwhite through a couple of times, then start adding the cocoa powder so you don't overfold the mixture. Fold until everything is just combined, then divide the mixture between two baking trays, stud with cherries and bake them straight away so the batter doesn't lose any air.
I use preserved sour morello cherries for this recipe, but Griottines cherries, if you can find them, are better because they're steeped in alcohol, which gives a bit more of a kick.
For the filling, I use a mousse rather than a cream. It keeps in the fridge for three days, so it's perfect to make ahead. The base of this mousse is a Swiss meringue - it's used for fillings and icings because the eggwhites are heated to 70C, which makes the filling stable. It's important to cool the meringue to 30C before adding the whipped cream so it doesn't melt. If the mixture is too cold, meanwhile, the gelatine may start to set, so whisk the cream while the meringue is cooling. Don't whisk the cream until it's firm, not even to soft peaks, or the mousse will be too firm and won't settle in the tin evenly. Fold a little meringue through the gelatine mixture, then fold in the remaining meringue, and finally the whipped cream.
When the cakes are ready, I cut a round from each that's slightly smaller than the size of the cake ring I'll be using to allow the mousse to fall down the sides of the cake.
Adding kirsch to the mousse gives a nice boozy tinge without making the sponge soggy. But if you prefer a boozier cake, and you'll be serving it on the day it's made, lightly brush the cooled sponge with kirsch before assembling it.
To finish the cake, I layer the sponge and mousse in a 6cm-deep, 24cm-diameter cake ring (you can also use a springform pan). Refrigerate the cake for a few hours, then decorate it as you like. This is the perfect dessert for a long Sunday lunch.
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