We're championing fresh food that packs a flavour punch, from salads and vegetable-packed bowls to grains and light desserts.
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Step away from the “dessert yoghurt", writes Will Studd. The real unadulterated thing is much more rewarding.
What happens the morning after the World’s 50 Best Restaurants awards? We treat the chefs to a world-beating yum cha session, as Dani Valent discovers.
Single-source honey putting community and sustainability next to sweetness.
More and more adventurous local winemakers are embracing Vermouth's botanicals, writes Max Allen.
Indonesia's Komodo National Park is home to staggering scenery and biodiversity. Michael Harden sets sail in a handcrafted yacht to explore its remote islands in pared-back luxury.
Cue the Champagne.
Australia saw some bold moves in the ’80s, and we’re not just talking hairstyles. Greater cultural references started peppering the menus of our restaurants, and home-grown ingredients won a new appreciation. The dining scene was coming of age and a new band of pioneers led the charge.
Leading chefs descend on Melbourne in April for The World’s 50 Best Restaurants. We asked local hospitality folk who they’d abduct for the day and where they’d take them to show off their city. There may be coffee, there may be culture, but in the end it’s cocktails.
Will your next baking project be a flaky puff pastry with pumpkin, goat's curd and thyme, or a classic bacon and Stilton tart? As autumn settles in, we're ticking these off one by one.
Baker extraordinaire Nadine Ingram of Sydney's Flour and Stone cooks up a sweet storm for Easter, including the much loved bakery's greatest hit.
Hobart is enjoying a wave of CBD restaurant openings. Add these to the top of your list.
Sydney’s Eleven Bridge to close. For real this time. Sort of. Again.
Whether baked into a bubbling crumble, caramelised in a puff-pastry tart or served in an all-American pie, apples are a classic filling for fruity desserts. Here are the recipes we keep coming back to.
Cue the Champagne.
Here, we've made the dough in a food processor, but it's really quick and simple to do by hand as well. If the dough seems a little too wet just add a little more flour.
Discussing the real issues faced by chefs and producers.
David Walsh's next phase of artistic licence.
Hobart's MONA-fication continues apace as the hyperactive mind of David Walsh, founder of Tasmania's game-changing private museum, conjures new ways to stimulate the southern capital.
First up is a planned extension to the Museum of Old and New Art. A new gallery jutting over the Derwent will house four new "light works" by US artist James Turrell, whose gazebo-like Amarna installation, a feature of this summer's The Golden Hour dining experience at the Wine Bar, has captivated visitors.
Behind MONA, on Lowestoft Bay, a dinky caravan park called Treasure Island is about to be revived as a tourist park with artist-decorated vans, hanging "pods" and camping spaces to accommodate up to 50,000 visitors a year. Walsh has also confirmed he's pushing ahead with the 160-odd-room HOMO, the Hotel MONA, which will feature a theatre, spa, restaurant and rooms decorated by noted artists such as Marina Abramovi and Turrell. No opening date is scheduled yet.
Walsh's plans for a high-end, visitors-only casino - called Monaco, of course - hinge on the State Government breaking its addiction to the decades-old gambling monopoly in the state (held by the Federal Group), but in the meantime Walsh has engaged Mexican architect Javier Senosiain to create a very unconventional casino that blends gardens, art and architecture.
In other news, the MONA team has signed to consult to the State Government on developing the public spaces in Hobart's 9.3-hectare Macquarie Point port revamp, a project with echoes of Sydney's Barangaroo. Forty per cent of the site is earmarked for public space, offering a one-off opportunity, says MONA's creative director Leigh Carmichael, to look at what Hobart needs - perhaps a major outdoor performance arena or public arts space. Given last year's Dark MOFO winter festival drew 76,000 visitors to Macquarie Point for the first time in years, the city is keen to tap into MONA's ideas.
"MONA is in a unique position because we have had success activating unused spaces in the city since 2009," says Carmichael. "And clearly we take risks and push boundaries." Speaking of Dark MOFO, expect to see a new festival precinct and the biggest program yet when it kicks off on 10 June.
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