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An Australian dining landmark rises from the ashes: the Stokehouse is back ready to please the crowds for at least another generation to come, writes Michael Harden.
French bistro classics are suddenly hotter on the Queensland dining scene than a bubbling pot-au-feu.
Take our quiz to check your knowledge.
Pierre Khodja’s Camus opens this week, bringing the vibrant flavours of his Algerian homeland to Northcote’s High Street.
What better way to ring in the Year of the Rooster than a culinary spectacular?
Here's the story behind it.
Destroyed by fire in 2014, the Stokehouse has returned as an elegant foreshore precinct. Michael Harden talks to owner Frank van Haandel about the rebirth of a landmark.
Millbrook Winery chef Guy Jeffreys walks us through his approach to cooking and what's on the menu this month and next.
Whether it's mixed through black rice pudding with caramelised bananas, shredded on top of mango trifle or toasted and served with coconut jelly, coconut adds tropical touch and fragrance to summer desserts.
Spend less time cooking and more time relaxing at your next barbecue - these char-grilled meats and vegetables are low on labour but deliver big on juicy and smoky flavours.
We approach an expert on the ground in Turkey for the inside word on the Salt Bae phenomenon. Just how salty is that steak?
Attica’s chef isn’t happiest when eating soils or smears on his days off, it’s souvlaki. We follow him to his favourite spot.
Melbourne, it's finally your turn for a taste of David Thompson's uncompromising Thai cooking.
There’s never a dull moment at ultra-glam, slightly mad Pascale, QT Melbourne’s dazzling flagship diner, writes Michael Harden.
After a year of big name openings, a new Alexandria eatery arrives as a likable - and possibly lovable - local.
Here's the story behind it.
David Walsh's next phase of artistic licence.
Hobart's MONA-fication continues apace as the hyperactive mind of David Walsh, founder of Tasmania's game-changing private museum, conjures new ways to stimulate the southern capital.
First up is a planned extension to the Museum of Old and New Art. A new gallery jutting over the Derwent will house four new "light works" by US artist James Turrell, whose gazebo-like Amarna installation, a feature of this summer's The Golden Hour dining experience at the Wine Bar, has captivated visitors.
Behind MONA, on Lowestoft Bay, a dinky caravan park called Treasure Island is about to be revived as a tourist park with artist-decorated vans, hanging "pods" and camping spaces to accommodate up to 50,000 visitors a year. Walsh has also confirmed he's pushing ahead with the 160-odd-room HOMO, the Hotel MONA, which will feature a theatre, spa, restaurant and rooms decorated by noted artists such as Marina Abramovi and Turrell. No opening date is scheduled yet.
Walsh's plans for a high-end, visitors-only casino - called Monaco, of course - hinge on the State Government breaking its addiction to the decades-old gambling monopoly in the state (held by the Federal Group), but in the meantime Walsh has engaged Mexican architect Javier Senosiain to create a very unconventional casino that blends gardens, art and architecture.
In other news, the MONA team has signed to consult to the State Government on developing the public spaces in Hobart's 9.3-hectare Macquarie Point port revamp, a project with echoes of Sydney's Barangaroo. Forty per cent of the site is earmarked for public space, offering a one-off opportunity, says MONA's creative director Leigh Carmichael, to look at what Hobart needs - perhaps a major outdoor performance arena or public arts space. Given last year's Dark MOFO winter festival drew 76,000 visitors to Macquarie Point for the first time in years, the city is keen to tap into MONA's ideas.
"MONA is in a unique position because we have had success activating unused spaces in the city since 2009," says Carmichael. "And clearly we take risks and push boundaries." Speaking of Dark MOFO, expect to see a new festival precinct and the biggest program yet when it kicks off on 10 June.
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