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Kensington, hold onto your hats.
In a triumph of paddock-to-plate in practice, Paulette Whitney takes her kids to dinner to show them the fruits of their labour.
Sokyo's Chase Kojima's new project is something completely new.
Ben Shewry and David Moyle have big plans for the menu.
Make this summer the season of Michelin-starred grilling, thanks to Heston Blumenthal’s new range of barbecues.
What brings people together more than tequila? Tequila, tacos and cake.
These dozen tales depict divergent lives in food. Swerve from a fast and furious account of a drug-addled line cook, to a fragrant memoir about living and cooking in China.
Meet the game-changing Australian chefs pushing boundaries and challenging food norms.
Here’s what to expect when the international event arrives next April.
Here are 14 fresh takes on these small saltwater clams, from a hearty red mullet bouillabaisse to grilled pancetta scallop canapes and a Vietnamese glass noodle soup.
Sichuan pepper adds a mouth-numbing spice. Here are our favourite ways to use it, from fragrant soups to fried eggplant.
A pantry staple, noodles are ready in a flash. Here are six different recipes, all ready in under 30 minutes.
Between broad beans, asparagus, zucchini and artichokes, spring's vegetable bounty might have all other seasons beat. Here are 18 ways to make the most of this season's greens.
A kitchen fire has forced Rosa Mitchell’s Punch Lane restaurant to close permanently.
The Potts Point brasserie was here for a good time rather than a long time.
An outside-the-box approach sets this handmade tableware
Ion Fukazawa is the man behind Mukumono Ceramics, a studio that makes bespoke tableware for Sydney restaurants including Sixpenny, Ester, LuMi and Izakaya Fujiyama. The designer and maker studied ceramics in Tokyo and Seto in Japan, and in the rainforests of Borneo, as well as design in the Netherlands. His ceramic tableware, hand-thrown on a manual wheel, is the result of these experiences. The pieces balance a traditional Japanese aesthetic with a more robust and earthy Australian bent.
What inspires your designs, Ion?
If it's a new design for a restaurant, inspiration might come from talking with the chef, the concept of the restaurant, a certain dish, or the interior and atmosphere of the space. For more experimental self-driven projects, inspiration comes from different materials and forms found in nature, like plants or rocks.
What has been your favourite collaboration to date?
Probably Ester. I always wanted to experiment with ash but I couldn't find a constant source. When they approached me for a few plates I proposed to salvage their ash from the wood-fired oven - a waste product born from the fire, wood and smoke flavouring Mat Lindsay's food - and use it as a glaze material. To serve food on plates that have been made from the ash that cooked your dinner somehow completes a nice cycle.
How does the ash affect the glazes?
It's quite similar to the concept of terroir in wine. Different woods have different chemical compositions, down to the soil they grew in, so the glaze ratios have to be adjusted constantly. It's quite fascinating.
Mukumono ceramics, from $32; mukumono.com.au
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